And now, six weeks after that, I remain convinced that this grandly entertaining production will be the most talked about and most honored television program of 2017. How can it not? The production values are first rate. The cast – including Jessica Lange, Susan Sarandon, Judy Davis, Catherine Zeta-Jones, Kathy Bates, Stanley Tucci, Alfred Molina, Jackie Hoffman, Kiernan Shipka and Sarah Paulson – is uniformly excellent. (Collectively, just watching this particular group in action is an event in itself.) The script is at times very funny, at others very moving, and always powerful in its exposure of the way women in middle age were treated by the studio system regardless of their previous successes. Above all, whether it is taking a deep dive into the prickly relationship between Crawford and Davis, or revealing the emotional toll their lives had taken on them, or exploring their dysfunctional relationships with their husbands and children, or shining a bright light into the dark corners of the movie business, Feud is never anything less than a first-class affair. If another program is going to eclipse it during the next nine months it will have to be pretty damn magnificent. That's why I'm comfortable making an early call on this one.
I have seen the first five episodes of Feud and have been enthralled by every moment of every one. In fact, I have seen several of them two or three times and they feel remarkably fresh with every viewing. (They largely focus on the lives of Crawford and Davis immediately before and throughout the filming of the creepy classic Whatever Happened to Baby Jane?and the aftermath of its release.) At a time when so many prestige dramas are so serious minded, and when plowing through them often feels more like homework than a way to relax and be entertained, Feud (like Murphy’s The People v. O.J. Simpson before it) breezes right along, inviting repeat viewing and, of most importance, never dragging or feeling narratively overconstructed with the goal of reaching 13 or 15 hour-long episodes. (Feud is an efficient eight; O.J. was a perfect ten.)
Feud has been very much in the media spotlight of late, and I believe it is going to remain there throughout 2017 and into the next awards season, when the production and actors will certainly receive multiple nominations from every relevant awards organization and likely more honors than any other production this year. Most of the current attention has been focused on the lead performances by Jessica Lange as Joan Crawford – all rage and frustration and manipulative menace – and Susan Sarandon as Bette Davis – ferocious as a lion on the outside but vulnerable as a kitten within. Sarandon and Lange are pictured at top.) Both performances could have easily collapsed into camp – indeed, some of the situations these women place themselves in seem so much larger than life as to be positively unreal, though I’m assured they really happened. But Lange and Sarandon ground them so thoroughly that they never lose their humanity, even when Crawford and Davis are at their worst. (Watching the two of them backstage at the 1964 Academy Awards in episode five is a real eye-opener in every respect. That may be the most talked about episode of Feud by the time it ends.)